The Reminder

The ReminderArtist: Feist
Label: Cherry Tree
Category: Music

List Price: $13.98
Buy New: $7.80
as of 5/19/2012 13:09 EDT details
You Save: $6.18 (44%)

In Stock


Seller: MovieMars
Sales Rank: 1,823

Language: English (Original Language)
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.3
Dimensions (in): 5.6 x 4.9 x 0.4

MPN: 6 3 09847412
Model: 00602498474129
UPC: 602498474129
EAN: 0602498474129
ASIN: B000NPE7YC

Release Date: May 1, 2007
Availability: Usually ships in 1-2 business days

Features:
  • FEIST THE REMINDER

Tracks:

  • So Sorry
  • I Feel It All
  • My Moon My Man
  • The Park
  • The Water
  • Sealion
  • Past In Present
  • The Limit To Your Love
  • 1234
  • Brandy Alexander
  • Intuition
  • Honey Honey
  • How My Heart Behaves

Editorial Reviews:

Product Description
UK pressing of the 2007 album includes one bonus track: 'Honey Honey' (recorded live at Toronto's Danforth Music Hall). Reminder was written and conceptualised during 33 months of touring and was recorded in just two weeks in a 200-year-old manor house on the outskirts of Paris with players including Gonzales, Jamie Lidell, Mocky and Erik Glambek Boe [Kings Of Convenience], and includes 'My Moon My Man', with it's sucker-punch melody tumbling over hard-soul piano chords, and live favourite 'Sea Lion Woman'. Universal. 2007.

Amazon.com
Feist is the solo project of Canada's Leslie Feist, a prolific artist who has also played in one capacity or another with Broken Social Scene, Kings of Convenience and half a dozen other bands. The Reminder, her third release, comes from the same well of quiet, appealing songwriting, and delicate vocalizations that made 2004's Let It Die such a sweet treat. This one is a bit more hushed and ballad heavy, closer to Cat Power than Peaches (with whom Feist has also worked with in the past) but maintains an indie-minded blend of confessional pop, jazzy folk, and lo-fi torch songs. The comparatively upbeat single "My Moon My Man" splits her voice off into unexpected harmonies, just dissonant enough to stick in your head. It's hard to predict where her melodies are going to end up; "Brandy Alexander" starts with a simple snap-pulse, and gradually unfolds into a cathartic chorus of sweeping vocal overlays. Throughout, the record profits from a simple, unfussy aesthetic that keeps the production minimal and the emphasis squarely on Feist's cracking, wistful vibrato. Everything sounds deliberate, but not obsessed over, like an e-mailed wedding invitation. It's a low-pressure vibe, welcoming and content to linger. And linger you will. --Matthew Cooke


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